Since presenting my work at the end of Practice Two, I have decided that the shapes I have been looking at and creating vessels from have become quite flat and unimaginative in comparison to the sorts of designers and architectural inspiration I have been exploring. This is something I want to strive to develop early on in Practice Three so that I can begin to create final designs. I am starting to consider what I will be able to achieve by the end of the MA, at this moment i

Another important factor going into Practice Three is reintroducing my hand drawn elements, it was mentioned in my presentation that losing my hand drawn imagery could be detrimental to my success and is something that I could potentially become recognised for in the future. Using Photoshop, I dropped sections of architectural documentary photography into the shapes I had identified - from these I started drawing again. I was daunted by the concept of drawing by eye on locati

I have been concerned with my colour palette and wondered how I am going to get out of designing prints within the same range of colours. Multiple ideas have been suggested in reviews such as: Designing in black and white Adding a layer of colour over the top of my designs then removing it later Inverting my imagery and manipulating colours on Photoshop Using gradient maps selecting only two colours from photographs I will experiment with these methods when combining my hand